He began his artistic research activity in the nineties, self-taught and under the supervision of his brother and master glassmaker Diego Martín García.
It is in 2002 when his concerns require a commitment to knowledge about glass as a volume of large dimensions, so he studies with different artists, always seeking that the viability of his creations is not determined by ignorance of the technique.
The creative process is given by the intensities of light on the volume and in the interior space in which the deepest ideas are suspended.
