Natalia Gerschcovich

1977 | Buenos Aires, Argentina

“The Invisible Children work appears in the glass sculptures as something ethereal that cannot be represented in the three dimensions of the sculpture, but as a kind of the fourth dimension that only glass achieves.

It expresses a situation of vulnerability, which in the context of a show, not only helps to visualize the concept but also shows the strength and presence of the materiality of glass that is impossible to ignore. The phenomenon of social invisibility is symptomatic of a cruel and inhuman society. Those who see the ills of society and their causes need to help the “socially blind” to open their